The changes and transitions that take place within an artist’s life are worth documenting. I was fortunate enough to have these changes preserved, so that I can look back on my artistic journey in awe. The monograph has become synonymous with the study of an artist’s life along with his or her oeuvre. Book publishers use the term “artist monograph” to indicate books dealing with a single artist, as opposed to broader surveys of art subjects.

When a book is published about an artist, it leaves a legacy, a lasting account of my story and my life’s work. The writers established the artists’ work in a historical context. Future generations will be able to read about me and see photos of my work. It will remain in libraries, universities, and museums as a reference tool. If nothing else, this monograph will outlive me, and have my work transcend the limitations of time and space.

About the Author

Carole A. Feuerman is recognized as one of the world’s most renowned, influential, and popular hyperrealist sculptors.  Her prolific career spans five decades in which she has pioneered new approaches to sculpture. her career is highlighted by iconic figurative works of swimmers and dancers, such as ‘Survival of Serena’ and ‘The Golden Mean’. She has taught, lectured, and given workshops at the Metropolitan Museum and the Solomon Guggenheim Museum of Art.

In 2011 she founded the Carole A. Feuerman Sculpture Foundation. Her artworks are in the permanent collections of eighteen museums and ar4e owned by the cities of Peekskill New York and Sunnyvale California. Her public works have been displayed across the globe.  She lives and works in New York City and the wife of Ron Cohen and the mother of Lauren Leahy, Sari Gibson, and Craig Feuerman. She is the grandmother of Hannah Leahy, Sam Leahy, Isla Feuerman, kai Feuerman, and her two step grandchildren Waverly and Luna Dantus.